"Anything that can go wrong, will go wrong."​

Such was nearly the case for my final exam on Monday.​ Pretty much every mistake that I didn't make in the practicals leading up to it happened on the big day. The colors for the poured sugar base turned out all wrong - I even forgot to pour a piece and had to use some of a friend's leftovers, some pieces cracked and in putting it all together I melted through some of the delicate pulled sugar decorations. But, thankfully, it's all behind me now.

I was apprehensive about sugar work* because, having spoken to graduates who have since joined the work force, it seems like a rather impractical skill. Sure, it's important if you plan to compete in competitions, but I don't really see my career heading that direction.​

​What I did learn in those last few lessons was the importance of planning ahead. Unlike the chocolate exam, for which I foolishly came up with my final design the night before, I used the practicals to develop a more singular idea, which my friend called "the Midnight Garden."

Pictures below, in chronological order.​

*A few words of explanation: sugar work basically involves the heating of water and sugar, with the addition of glucose and sometimes tartaric acid, to a high temperature (150-160º C) in order to make structural pieces and decorations. Poured sugar, which is quite solid once set, is used to make the base for showpieces. Pulled sugar, which is relatively elastic because it contains tartaric acid and a different water to sugar ratio, can be stretched, blown and molded into more intricate objects - flowers, leaves, ribbons, birds, mushrooms - anything, really, but even once it has fully solidified it's still quite delicate.

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AuthorMisa Shikuma

"'Eetz okay,' pronounced the chef in heavily accented English, after I had presented him with my apple tart. It was only my second day at Le Cordon Bleu, the culinary institution famous for producing chefs like Julia Child and Giada de Laurentiis, but for the nth time I felt myself slipping into a soon-to-be-familiar state of passive anxiety." 

- via Bonjour Paris

This is me receiving my certificate in Basic pâtisserie.​ PC - ...the photographer LCB always uses. Currently trying to track down his name.

This is me receiving my certificate in Basic pâtisserie.​ PC - ...the photographer LCB always uses. Currently trying to track down his name.

I've avoided writing much about everyday student life at LCB because there are countless others who have done it before and much better than I could. You'll probably find that most LCB student blogs deal in food porn (I'm an addict myself so I don't mean that in a derogatory way), but if you really desire to know what goes on inside 8 rue Leon Delhomme, I suggest you pick up a copy of LCB alumna Kathleen Flinn's The Sharper Your Knife, the Less You Cry.

I read it over winter break and, honestly, it prepared me a lot more for my first day than anything the school ever sent me over countless emails, admission proposals, etc. Flinn was a cuisine student (I'm pâtisserie), but regardless her descriptions of the school and the characters in it are spot on. (The school sells the book on-site near the reception area, but I think they should consider making it required reading for incoming students).

So when the opportunity arose to write about my experience at culinary school for Bonjour Paris, I took it. The story is probably about as comprehensive as I'll ever get about being at LCB, so I encourage you to read it in its entirety if you get a chance.

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AuthorMisa Shikuma
The first few days of school I thought the chefs were all sort of the same: tall, and sometimes portly, stern, and very French. (The uniforms don’t help distinguish individuals either). But I’ve since realized they each have their own little quirks.

I think of the first chef we had as Grumpy Chef. To be fair he wasn’t feeling well that day, and it turns out he’s actually quite nice and funny. During demo after he’s put the day’s lesson in the oven, he likes to wax philosophical on why we’re at LCB and give us motivational speeches. It sounds silly but sometimes (see Scary Chef) it’s exactly what you need to hear going into your next practical.

Moody Chef was my favorite, before it became evident just how moody he really is. In demos he acts like a clown, cracking jokes and making funny faces. In practicals he’s constantly barking things like, “Dépêchez-vous!” (Hurry!) and, “Arretez!” (Stop!). Usually he’s kidding, but it’s hard to tell when he’s not. Some of my peers theorize that he is bi-polar. I can’t say I disagree.

My current favorite, then, is Cute Chef. Not only is he one of the younger chefs on staff (no more than mid-30s, I’d say), but also the general consensus amongst the overwhelmingly female Intensive Basic Pâtisserie class is that he has very pretty eyes. Cute Chef is to LCB as Gilderoy Lockhart is to Hogwarts. He doesn’t smile as much as he should could, but he has a very dry wit and sarcastic sense of humor. Oh, and his staff bio says he’s won multiple competitions for ice sculpting. Admit it: you’re intrigued.

In contrast we have a teacher I’ll call Scary Chef. (Honestly, though, I don’t even know his real name). Scary Chef rarely speaks, and when he does it’s only to say “OK” or “Non!” “Très bien,” or even “bien,” do not exist in his kitchen. Throughout the three-hour practicals he makes continuous rounds about the room, stopping only to peer over unsuspecting students’ shoulders. As you might imagine, the collective nerves in his presence are tangible.

Presentations at the end are even worse. Scary Chef appraises each student’s work one by one, and instead of offering constructive criticism like a normal instructor, he will place your biggest mistake in front of you (whether it’s an éclair that wasn’t filled enough or two cookies that aren’t the same size), look down at the substandard product, and then fix his steely gaze on you. Any thoughts of defending or justifying your pastry immediately disappear, leaving you only with the ability to meekly reply, “Oui, chef,” and then hang your head while wishing you could go crawl into a dark cupboard and stay there for the rest of the day.

Oops. Almost forgot about Nice Chef. Nice Chef never rushes you during practicals, and actually shows you how to do specific techniques, rather than glowering at you when you do them incorrectly (see above). He also has sort of a lazy eye, so it’s sometimes hard to tell when he’s addressing you.

Last is Tall Chef, who we haven’t officially had yet. All the instructors are pretty tall (and I don’t just mean relative to myself), but this guy’s chef’s hat practically brushes the ceiling. He’s one of the few who instructs both cuisine and pâtisserie, and often likes to pop into our demos when teaching the former. Allegedly it’s to pester Grumpy Chef, but I secretly think it’s because pâtisserie classrooms are kept air-conditioned while cuisine rooms aren’t. One of my peers complained that Tall Chef only gets away with such behavior because he’s good-looking (uncontested by me). Regardless, anyone is an improvement over Scary Chef.
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AuthorMisa Shikuma

Spending five hours watching demonstrations this afternoon has not put my brain in a prosaic mood, so here’s a list of things I noted today.

- The student body is extremely international. In fact, there is only one French national currently enrolled. My class alone (of about 50) has students from Estonia, Brazil, Singapore, Hong Kong, Malaysia, Australia, Mexico, Russia, India and more.

- Classes are predominantly female (true for both cuisine and pâtisserie), which I find surprising because the restaurant industry is notoriously male-dominated.

- The gender ratio is worse for pâtisserie. (Only 4-5 men in my class). - Of the women in pâtisserie, the majority are Asian.

- There is a huge age range. Some students look to be about my parents’ age, while the youngest in my class is 17. Props to her. I was nowhere near brave/mature/independent enough at that age to live abroad on my own.

- I overheard more than several students state that their reason for studying at LCB was that they were going through a career change - from finance. All I have to say about that is I’m not surprised. Like at all.

- Taking the Metro home from class, I met an older student from Seattle! He claimed we were the only people at LCB from the Northwest. He also used to be in finance, but is now four months into the Grand Diplôme program (which includes cuisine, pâtisserie and sommellerie). I guess without ten years of investment banking behind him, he wouldn’t be able to bankroll tuition on top of the cost of living in Paris for that long.

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AuthorMisa Shikuma