The first few days of school I thought the chefs were all sort of the same: tall, and sometimes portly, stern, and very French. (The uniforms don’t help distinguish individuals either). But I’ve since realized they each have their own little quirks.

I think of the first chef we had as Grumpy Chef. To be fair he wasn’t feeling well that day, and it turns out he’s actually quite nice and funny. During demo after he’s put the day’s lesson in the oven, he likes to wax philosophical on why we’re at LCB and give us motivational speeches. It sounds silly but sometimes (see Scary Chef) it’s exactly what you need to hear going into your next practical.

Moody Chef was my favorite, before it became evident just how moody he really is. In demos he acts like a clown, cracking jokes and making funny faces. In practicals he’s constantly barking things like, “Dépêchez-vous!” (Hurry!) and, “Arretez!” (Stop!). Usually he’s kidding, but it’s hard to tell when he’s not. Some of my peers theorize that he is bi-polar. I can’t say I disagree.

My current favorite, then, is Cute Chef. Not only is he one of the younger chefs on staff (no more than mid-30s, I’d say), but also the general consensus amongst the overwhelmingly female Intensive Basic Pâtisserie class is that he has very pretty eyes. Cute Chef is to LCB as Gilderoy Lockhart is to Hogwarts. He doesn’t smile as much as he should could, but he has a very dry wit and sarcastic sense of humor. Oh, and his staff bio says he’s won multiple competitions for ice sculpting. Admit it: you’re intrigued.

In contrast we have a teacher I’ll call Scary Chef. (Honestly, though, I don’t even know his real name). Scary Chef rarely speaks, and when he does it’s only to say “OK” or “Non!” “Très bien,” or even “bien,” do not exist in his kitchen. Throughout the three-hour practicals he makes continuous rounds about the room, stopping only to peer over unsuspecting students’ shoulders. As you might imagine, the collective nerves in his presence are tangible.

Presentations at the end are even worse. Scary Chef appraises each student’s work one by one, and instead of offering constructive criticism like a normal instructor, he will place your biggest mistake in front of you (whether it’s an éclair that wasn’t filled enough or two cookies that aren’t the same size), look down at the substandard product, and then fix his steely gaze on you. Any thoughts of defending or justifying your pastry immediately disappear, leaving you only with the ability to meekly reply, “Oui, chef,” and then hang your head while wishing you could go crawl into a dark cupboard and stay there for the rest of the day.

Oops. Almost forgot about Nice Chef. Nice Chef never rushes you during practicals, and actually shows you how to do specific techniques, rather than glowering at you when you do them incorrectly (see above). He also has sort of a lazy eye, so it’s sometimes hard to tell when he’s addressing you.

Last is Tall Chef, who we haven’t officially had yet. All the instructors are pretty tall (and I don’t just mean relative to myself), but this guy’s chef’s hat practically brushes the ceiling. He’s one of the few who instructs both cuisine and pâtisserie, and often likes to pop into our demos when teaching the former. Allegedly it’s to pester Grumpy Chef, but I secretly think it’s because pâtisserie classrooms are kept air-conditioned while cuisine rooms aren’t. One of my peers complained that Tall Chef only gets away with such behavior because he’s good-looking (uncontested by me). Regardless, anyone is an improvement over Scary Chef.
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AuthorMisa Shikuma

Part 1: Musée d’Orsay

Taken through one of the building's giant clocks. Reminded me of that Scorsese movie Hugo.

I like it because it’s smaller and less crowded the the Louvre, plus it focuses on my favorite periods (Impressionism, Neo-Impressionism, Post-Impressionism, etc.). The space is also really cool because it used to be a train station.

Definitely the prettiest of the museum's cafés. Feels like you're dining at Versailles.

Part 2: Passerelle Solférino

Locks on locks on locks.

We were walking along the Seine from the Orsay to Les Invalides and Musée Rodin when we came across this bridge. It’s tradition for couples to leave locks here with their names. Didn’t bring a lock with you? No problem. There are vendors selling them on the spot.


Part 3: Musée Rodin



At a mere 1€ to stroll around the gardens, this place is quite a steal. I had already seen a lot of the sculptures thanks to Stanford’s Cantor Arts Center, but the one thing we didn’t have on campus? The Eiffel Tower in the background.

Taken somewhere between the Rodin Museum and Les Invalides.

It’s also right next to Les Invalides, now a war museum that also houses Napoleon’s tomb, so if you’re in the area I’d recommend checking that out too.

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AuthorMisa Shikuma
Categoriesparis

Yesterday I only had one class, after which I met up with a Stanford friend who was visiting Paris with his family for an afternoon of shopping and strolling. Well, I did most of the shopping, but he was a good sport about it.

At my roommate’s suggestion, we started at Montparnasse-Bienvenue and headed toward Saint Germain on Rue de Rennes, making a brief detour at the Jardin du Luxembourg. Rue de Rennes and its many side streets are full of cool, trendy boutiques - perhaps almost too much so. I caught my first real glimpse of French hipsters, and I’d say they’re probably more intimidating (more hip?) than American hipsters.

Rue de Rennes is also notable because it ends at Boulevard Saint-Germain, where the famous Café de Flore and Les Deux Magot (old haunts of philosophers, intellectuals and writers) sit side by side. Originally I thought it would be a nice way to end the evening - eating at a restaurant that Ernest Hemingway used to frequent - but a glance at the pricey menu suggested otherwise.

We continued wandering the neighborhood looking for more affordable fare when, just around the corner, we stumbled upon the popular Le Relais de L’Entrecôte. Judging by the high concentration of English-speakers it’s a big draw for tourists, although I’m not exactly sure why. What it offers is a fixed-price set menu consisting of salad as appetizer, followed by the main dish: steak (drenched in the secret house sauce) and french fries. Not to mention you get a refill on the latter.

We agreed that the food (although tasty!) wasn’t quite worth the long wait to get seated but, all things considered, it was a good end to a good day.

 
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AuthorMisa Shikuma

That time I had chicken couscous and mint tea at the Paris mosque, and had to keep staving off birds from dive bombing my plate. The food was good and the courtyard very pretty, but the whole avian threat thing sort of detracted from the experience. I had my back to the other tables so I’m not sure whether this was a problem for other customers, or the birds were just targeting me. Hopefully not the latter. Next time I will ask to be seated inside.

 
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AuthorMisa Shikuma