"It's okay, I just want to help you."

"You can trust me!" 

How many times have I heard claims like these immediately followed by something exceedingly dodgy? Like when I arrived at the New Delhi train station and an official-looking guy took one glance at my ticket and told me that my train was delayed by nine hours - but - I could book a new ticket at the tourist office just around the corner. Right. Because a problem with the train isn't something I can resolve, you know, at the train station? I don't think so, asshole.

It's not my intent to unfairly generalize about the people of India and Morocco, because I'm sure that there are plenty of kind and generous individuals (and I have met a few), but as a tourist the sad truth is that a lot of the people you encounter are just... Let me put it this way: I don't consider myself a violent person but in the last few weeks I've fantasized a lot about punching people in the face.  

Here's another example. I wound up at a handicrafts emporium in Delhi after a tuk tuk driver told me that the market I originally wanted to go to was closed (I checked later; it wasn't), and purchased a silk scarf for about 1000 rupees (~$20). The driver clearly earned commission (the salespeople took note of who brought in which customer; there is something disgustingly admirable about such an abject lack of subtlety) but I guess I didn't spend enough because after a little argument he let me off in a random part of central Delhi. Hardly my idea of a fun afternoon.

A few days later when I got to Agra, the owner of the guesthouse assured me that, in his family-run place, I would be safe from people trying to get at my money. Well for one thing, during checkout my tab from the restaurant was slapped with a 15% tax that was not advertised anywhere on the menu. Not to mention that hours before I left for the Taj Mahal, he warned me to stay away from the vendors near the monument, and in the same breath offered to show me his "friend's" textiles store and his "uncle's" jewelry shop. Face. Palm. Morocco was the same; if you took what people said literally, then everyone was somehow related and/or best friends - a social network of gigantic proportions tied together by money. 

But I digress. The reason I brought Agra up is that, at the textiles shop (which I consented to visit because really there is nothing to do there except see the monuments), I was presented with silk scarves ranging in price from 250-400 rupees. Recalling that awful experience in Delhi, I thought, well, shit - either the saleslady at the emporium was a real hustler (probable) or the scarves I was now fingering in Agra weren't actually silk (possible). How am I supposed to know what real silk looks and feels like? It's definitely not something I tend to shop for at home.

Next we went to the jewelry store, because jewels are a specialty of Agra. (But are they really??) As per usual, the salesman blathered on about quality this, good investment that. I was only half-listening, though, because as I gazed at all the sparkling rings and pendants, I couldn't shake the feeling that maybe he was lying about everything.

It reminded me of when we learned about connoisseurship in art history class. The way my TA broke it down is that, although it does take a certain level of expertise, connoisseurship - in practice - relies more on a sort of gut feeling. 

Take wine, for example. There is a lot of evidence to suggest that wine tasting is bullshit, but even the scientific studies tend to point to one thing - that it all depends on how the subjects are primed. Tourists like me, who come from places where no one actually makes anything for themselves anymore because we outsource the labor to other countries that we then visit for vacation, are like sitting ducks. Tell me a story about how your family has been in the industry for generations, still making things the traditional way, and I'll believe it. Or, rather, that's how I was until the leather flats I had purchased in Fez fell apart after several wears. Call it naïveté or a general faith and trust in humanity, but whatever it is has long since gone.  

Nowadays I take everything with skepticism, which is harsh because I know that there are great things to be found. But getting to them through all the white noise generated by the people trying to sell you products and services at every turn is exhausting, and I'm over it. I've been wrong before about who I can trust, so now I choose to trust no one.

And to the next driver to give me a ride: I will pay you extra not to take me shopping. 

Posted
AuthorMisa Shikuma
Categoriestravel diary

Tell someone that you're going to Casablanca, and you're guaranteed to get one of two reactions. Either a moony, far-off gaze because the name conjures up grainy, vintage images of the film noir era, or a wrinkled nose and bewildered expression because the Casablanca of today is one of economic power replete with all the negative inevitabilities of socioeconomic disparity - unemployment, crime, prostitution, etc. It certainly felt dodgier than the other cities - even Tangier, but maybe that's because I had spent too much time Googling variations on "is Casablanca safe...[for women/at night/etc]" beforehand, only to come up with unsettling results that made me feel exceedingly paranoid by the time I disembarked at Casa Voyageurs. (Mugging at knifepoint, according to the interwebs, is not uncommon).

But beneath the grubby exterior is a trove of Art Deco buildings, vestiges of a bygone golden age, that deserves to be appreciated. Such is the mission of the Casamémoire organization, which normally offers walking tours to showcase the best architectural specimens but, alas, not during Ramadan. However I did get in touch with them via email early enough that they sent me a list and map of their standard hit list.  

Yet for all this twentieth century nostalgia, I need to get one thing straight: not a single frame of Casablanca was shot in Morocco. I know, I know, Rick's Cafe is convincing, but in reality was founded by an entrepreneurial American riding the wave of tourism sparked by a seventy year-old film. (Not to knock the cafe - I went my first night in Casablanca and it's just as glamorous and decadent as you'd expect an homage to Old Hollywood to be). But the fact remains,  they didn't shoot on location back in the day.

Apart from the above, really the only reason to spend any time at all in Casablanca is to visit the majestic mosque Hassan II - the third largest in the world and one of the few in Morocco that non-Muslims can enter. I'd say it's almost on par with St. Peter's Basilica in terms of magnitude of size and opulence but, of course, being built within the last few decades the mosque lacks the same richness of history. However it is pretty awe-inspiring to stand in the grand hall decked out with titanium gates that won't oxidize, marble columns featuring disguised loudspeakers, massive chandeliers, hand-carved stucco, and an orate cedar ceiling that can mechanically open to the heavens like Safeco Field, where 25,000 worshippers can all pray at the same time. Our tour guide dubbed it the "iMosque," but you wouldn't know just by looking at all the traditional embellishments. The walk to the mosque may feel a bit sketchy, and it doesn't take a great stretch of the imagination to picture slums where the multi-million dollar structure now rests.   

The city is worth spending one or two nights here, but if you're still not sold it did make the NYT list of places to go in 2013. The nightlife scene is supposed to be quite lively, but given the harassment that ensues simply from walking around in broad daylight it didn't really seem a worthwhile thing to pursue.

Below: 

1. Tribunal. 1922. 

2. Rick's Cafe. 

3. Post office. 1918-1920. 

4. Mosquée Hassan II, exterior. 

5. Mosquée Hassan II, interior. 

More Casablanca (and the grand mosque) on Flickr

Posted
AuthorMisa Shikuma
Categoriestravel diary

Essaouira has the vibe of a Mediterranean coastal town, except probably a bit cooler since it rests on the Atlantic Ocean. The walled blue and white medina rests partially on a cliff, offering lovely views from the ramparts and the port. To the south of the old city sits the beach, where families and children frolic midday and, in the late afternoon, boys and young men play soccer on the hard-packed sand. The strong winds also make for a (kite)surfer's paradise. Walking north from the beach along the wall, you eventually come to the port - a chaotic, lively and stinky ecosystem of fisherman, seagulls and cats.

There are no specific sights to see here - nothing to wake up early, stand in line, buy tickets for and plan your day around; rather, it's the sort of place you come to for aimless strolling, beachside lounging, and sipping beers on a rooftop terrace overlooking the ocean. This is my kind of Morocco, and I'm glad I saved it for last.

***

If you go...

1. Eat fresh fish in the shacks by the port. Negotiate the price before you sit down. They'll try to get you to pay 100d per person at first, but both times I negotiated down to 65-70 dirhams - and that included ample fish for everyone, plus salad, bread and drinks.

2. Get juiced. Ginger serves wholesome juices, salads and sandwiches. The staff is multilingual and the place has wifi. On the way from the main square to the ramparts if you follow the wall.

3. Do a mini pub crawl. The cafe closest to the port on the main square (it's just to the left of the bank) has 25cl beer for 20 dirhams. (Not great, coming from 2.50€ pints in Paris, but probably one of the better deals you'll find in Morocco). You can only drink on the upstairs terrace - which is fine, because the views are great. Afterwards head over to Taros (on the other side of the bank) for more expensive drinks but a better ambiance. They even have thick woven ponchos for when the cold settles in after dark.

*** 

Posted
AuthorMisa Shikuma
Categoriestravel diary