About
Writing
Contact

Misa Shikuma

About
Writing
Contact
A typical French market in Menton. You would never see this in Monaco, partly because it's not part of France, but also its residents probably have their food imported and directly delivered to their homes.

A typical French market in Menton. You would never see this in Monaco, partly because it's not part of France, but also its residents probably have their food imported and directly delivered to their homes.

From Menton to Monaco

Our last full day in Nice began with taking the #100 bus* to the end of the line, which Rick Steves, travel expert for the liberal and vehemently non-mainstream American tourist, led us to believe was a small town bordering on village. I believe the exact words used in his guide to Provence and the French Riviera were "a poor man's Nice," but to me it seemed pretty much the same as the rest of the Côte d'Azur except closer to Italy. (I know this because of all the road signs pointing to Italie). Sure, some of the buildings in Menton were a bit more rundown than in Cannes, but it still had a decent beach and boardwalk - and the sidewalks were even adorned with citrus trees bearing fruit in the middle of winter! (Basically, anything bordering the Mediterranean feels like paradise when you're accustomed to dreary gray skies and the perpetually murky Seine).

But once it became clear that Menton couldn't conceivably be covered in 20 minutes, as we originally thought it would, we hopped back on the bus toward Monaco. Everything I "knew" and anticipated about the principality came from movies; most notably To Catch a Thief  and Casino Royale. So did it live up to my lofty expectations? Yeah, pretty much.

IMG_8695
IMG_8703

Monaco is essentially a cluster of high-rises centered around two nearly adjacent harbors that are separated by the Prince's palace that perches between them atop a cliff. Streets are filled with banks and haute couture (pretty sure I just misused this term; but this is not a fashion blog so whatever) designer boutiques, but what else would you expect from a principality that has no income tax and whose economy was saved in the late 19th century by the opening of the infamous Monte Carlo casino?

IMG_8725

Like most tourists we took photos out in front, whilst trying not to get run over by the endless stream of luxury vehicles and vintage cars vying for a prime parking spot. After heeding the sign just inside the main doors - no shorts for summertime visitors and absolutely no cameras, ever, which is too bad because the interior is stunning - we entered the casino. Normally each room has a different entry fee as per a tiered system that includes free-to-play slot machines near the lobby and progressing upward to private game rooms costing 20€ at the door. Luckily on the day we went these rules weren't enforced.

Roulette looked too complicated so Kiyoshi and I opted for blackjack. We felt a little lame buying in at just over the minimum 10€, when moments earlier an older fellow at our table dropped 3 crisp 500€ notes for more chips. (Side note: before that I was unaware that 500€ notes existed). A Spanish girl left the game just before we sat down after losing her money in the first round.

"Oh well, at least now I've played blackjack at Monte Carlo," she said to her friends.

I smiled, not only because I remember enough Spanish to have understood her, but also because that was my exact mentality. I may not be as high-rolling as the owner of the Ferrari parked outside, but at least my brother and I didn't lose any money.

It's really a shame that photography is forbidden within the casino; I think something along these lines would have made a most excellent addition to our family holiday card.

*Public buses are a mere 1€ per one-way trip, so don't bother with the train unless you're absolutely pressed for time.

See more of Monaco here.

PostedDecember 29, 2012
AuthorMisa Shikuma
Categoriestravel diary, france
Tagsmoney
That time we trolled the Avengers midnight screening. I can't tell you how many people self-righteously came up to me that night to inform me that Batman, in fact, would not be in the film. To which I innocently responded, "Wait...this isn't The Dar…

That time we trolled the Avengers midnight screening. I can't tell you how many people self-righteously came up to me that night to inform me that Batman, in fact, would not be in the film. To which I innocently responded, "Wait...this isn't The Dark Knight Rises?" If the Justice League movie ever happens I'll happily go as one of the X-Men.

The Cost of Cinephilia

My love affair with movies began in high school, when just about every weekend I went to the theater with friends to catch the latest release. I still strongly believe that films are best viewed on the big screen in the company of others; downloading DVD rips streaming it on my laptop just doesn't cut it. I keep the stubs from all of the tickets, and over time have realized that even as my impressions of the film itself fade, my memories of the people that I saw it with, and what we did before, during, and after remain clear as ever. From my first rated-R movie, Eternal Sunshine of the Spotless Mind (my mom bought tickets for my friend and me because we were under age), to the countless midnight screenings I've been to for all the big franchises (Harry Potter, Lord of the Rings, The Matrix sequels, Transformers), cinema has had a huge influence over how I remember growing up.

But, unfortunately, moviegoing is an expensive habit. I've been lucky these last couple years to have been able to see most films for free in advance of theatrical release thanks to my status as a student-journalist. Now that I'm out in the real world, however, I'm starting to feel the burn of watching movies like a pleb. Ticket prices in Paris are comparable to those of any major US city, but perhaps slightly worse when you factor in the exchange rate.

The major theater chains here have an incredible unlimited pass, which lets you attend as many screenings as you want for 20€/month. (I did the math and it's worth it as long as you go just once a week). The catch? Subscription is for a minimum of one year. I briefly toyed with the idea of signing up now and selling my pass once I was getting ready to leave the country but then noticed that the application requires an identification photo, thereby strictly limiting the number of people I could potentially pawn it off on later. Bummer.

"I wish they had something like this at home," a fellow American expat/cinephile said to me after we watched Looper together.

But wait - they do! Sort of. The MoviePass service is currently in beta, and from what I've read online is running about $30-$40/month depending on where you live.

If monthly subscription doesn't seem like the right option for you, I suggest you also check out these tips from Not Worth Admission. I'm most intrigued by #7, buying in bulk, and will definitely look into it when I'm back stateside.*

*That is unless I can find someone who will publish my writing and let me watch things for free...​

PostedDecember 1, 2012
AuthorMisa Shikuma
Categoriesfilm, paris
Tagsmoney

​2012 - 2023 Misa Shikuma, all rights reserved.

Subscribe via Email or RSS.​